I should confess the Luc Besson’s complex is a most important reason why I watched this film. Besides, the complex about feminine.

In these simple and beautiful frames, the director seems like that this film is not concern too much about the affection between the two girls, as my favorite directors’ manner–to express the intrinsic world of females. But chose to express the pressure or viewpoint of male chauvinist.

That is not right for me. I think this idea deviated the story which should tell. The movie should emphasis more on the affection and the lust of the young girls, which is too casually mentioned in the movie.

As all comments would do, compared with the corresponding one, Brokeback Mountain. Its inability is obvious.

一多半自然是冲着吕克·贝松的名字看了他的中国情结的又一剧作。
一半也确实是因为对许多表现女性角色的剧作的喜爱。


宫崎骏大师的作品中喜欢的除了对画面的构造和自然回归的题材之外，更是喜欢宫崎大师对女性角色的关注。在他的作品中女性角色总是柔美又坚强的，总是充满希望。
而看完这部吕导的作品，却难免有些失望。影片的重点把握实在是不太明晰。
想要表现孤独女性之间的情感，却对女性的孤独心理几乎没有多少描述。
对少女的爱欲与禁锢的肉欲更是乏力。
而想要突出男性对女性的支配力量，也不够到位。顶多就是一点父亲的顽固和哥哥的粗暴。

这个题材其实是相当不错的，一个美丽的植物园岛上的少女之情。但是离散的叙事和无头绪的刻画。
使得这部作品确实远无法和它想要超越的《断背山》相比。