It is true that you can only enjoy music in the deep night.
During the daytime, there is too much noise.
These buzz may not break the music too much.
But, do hamper your mind.
So I put on my earphone to let the Swallowtall Butterfly came around.
Not by Chara, but Tsuji Ayano.

Many call Tsuji Ayano as a curative singer.
I should say that is undoubtable.
And it seems that I’m only fond of those original singers, I dont like anyone who sing the songs written by others, in spite of how wonderful those songs are.
However, I should point out that curative means you should listen only when you feel undurable, despairing.

I know few about the music, and I’ve never been an earphone fan.
But I cherish all my earphones of all periods, for the affection beyond them.
My first earphone in my memory was bought by my mother. It’s a yellow cross-head earphone.
Unfortunately lost by Blue .
My last earphone is a birthday gift from my mother too.
Though it’s malfunctioned,
I can use the one presented by Yatou,
with the last one lain in my box peacefully.

夜晚显然是聆听音乐唯一的时间，它可以避开那些嘈杂，而不让你的思绪被音乐之外的事物干扰。
既然如此，自然夜是越深越好，当然限于独赏。
于是拿起有时日未触及的耳塞，在熟睡前听一阵音乐。
播放至random，响起的是过亚弥乃的声音。
过亚弥乃被称作是疗伤系歌手，自然是没错的，尤其是在烦躁、悲伤之时，她那听似懒散的声音就能让一切归于平静。
在下似乎也唯独喜欢这些才子才女们，仿佛那些唱得再好的歌手，只要没有自己的创作、才气，都会觉得无聊。
不过既然是疗伤系，还是在有伤痛之时听才是最好。

其实许多日本艺人的作品都透露着这种净化的力量。

也许是他们高速的工作节奏和复杂的生活环境，使得人们更渴望一个空间来纯净自己，也更愿意去纯净自己。
所以有了《东京日和》，有了是枳裕和，有了《盗信情缘》……
所以和许多政治上的丑恶一同
也许就是现代性之下日本的“菊与刀”，美与恶都同样张显。
不过这一切都是情理之中的，我们还是聆听那些美好。

说到耳塞，虽然在下从未是一个狂热的音乐硬件发烧友。
但对耳塞确实是别有自己的感情。
印象中的耳塞虽然普通，但都十分喜爱。
高中时的第一个耳塞还隐约记得是一个黄色的小套头Sony
是家人的礼物，不过在借给Blue后遗失了。
上一个耳塞也相当喜欢，虽然只是一个普通的松下，但确实是我用过音质最通彻的，也是母亲给我的生日礼物。
可惜，不久前也停止了工作。
似乎我对这些耳塞的感情都来源于它们背后的情感，
应该是如此的，
所以我接着拿起这个丫头送予的AKG，继续过亚弥乃版的Swallowtall Butterfly。
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